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Vicente Palacios Papiroflexia. Onde remata o mundo, comeza a aventura. Temas como a vida em total comunho com a natureza, com todas as alegrias e agruras que isso implica, hisotrias de animais e das gentes transmontanas, narrativas profundamente humanas e dramaticas que ilustram a luta do homem contra as leis que o aprisionam, divinas e terrestres.

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Que el resto de tu propia historia. La tesis, la tesis, la tesis. Mi vieja fue una enferma terminal. Nos llenamos la boca hablando de cualquier cosa y a veces no podemos ni con nuestra propia existencia.

Ah, cuidado, pero de eso mejor no hablar. Mejor no hablar de los demonios, a ver si el resto se asusta o si nos asustamos nosotrxs de nosotrxs.

Prendamos las Yo no quiero que mi cuerpo sea un campo de batalla. Por eso, estamos hermandxs con los animales. Porque si de algo estamos llenxs, es de discursos.

Y la falla, en el capitalismo neoliberal, es causal de despido, de periferias, de exclusiones. Por eso, mejor no fallar y cumplir, cumplir, cumplir.

Me cago en el binarismo y no le creo. Yo no soy una mujer y tampoco soy un hombre. Yo no soy, estoy. Y con eso basta. Por eso es tan importante aggiornarse, de vez en cuando.

Bueno, al menos, no encuentro motivos o argumentos razonables para que lo sea. Y ni hablar de abortar, que eso es pecado nefando.

A lo mejor, entonces, no te da miedo o rechazo lx distintxs sino lx similares que podemos llegar a ser. La muerte tiene el peso de una urna.

Alguien a quien pedirle un abrazo y que no duela. Ni tiempo. Ni cabeza. Ni cuerpo. Nadie sabe lo que puede un cuerpo.

Era de noche. Los huesos que no lograron calcinarse del todo hicieron ruido. Ya no hace falta que tengas los ojos abiertos en el medio de la espesura.

Entregarse con todas las miserias. SaSa Testa Buenos Aires, Participa en congresos y jornadas varios, en calidad de organizadorx y disertante.

Es autorx de los libros Soy Sabrina, soy Santiago. Compiladorx de Cuerpxs en fuga. This felicitous jaja phrase came to me esta tarde, ni bien puse foot en el health trail.

Las palabras, as they almost always are en mi caso, inextricably linked to, loosed by walking. Acabo de checar Winkypedia, y bingo.

I mean, desde siempre. No recuerdo casi nada de mi childhood. Te lo juro, almost nothing antes de los…14, maomeno. Y de los lanky, pale limbs, slightly startled avian mirada tras translucent cat-eye gafas, adorables pecas y shiny, razor-straight toffee-colored cabellos de la Lorraine C.

Or…did I kiss her? Maybe it was 5th grade? La Cricket smoothing down her remera. Y luego la Mary, la Chabelita. Pero who could blame me? Or reading me Nancy Drew mysteries toda la noche durante mi famous hemorragia bucal.

Como le he dicho a Leslie, mi therapist, —See? I mean: de otros. Or mushy-stone, como yo. Ground Zero, I reckon, de mi black hole, Tabula Raza modus vivendi.

Este next book was gonna be for you. Before Daddy. Before us. And for you, baby Jem. Y para tu daddy, mi adolorido, adorado seuntjie, Etienne. Para mis primos, para mis hermanas.

Que se chingue esta curse. Y escribo para cualquiera que tenga black holes. Un secreto pozo de veneno, una family backstory cual campo minado.

Shine a light. Live with the question. Y por ahora, tarry awhile conmigo, en el ecotone. Latinx authors.

Dices cosas grises. The gray, wet things you say. Cavas fosas. Corpse horde whose wings Grabas voces.

Dry fjord. Verdes goces. Drowned beach. Green sites we reach. Pierdes fe. Last rites. Faith's end. Love bites. Te You mend me hard, my friend.

Tramas We're shard creatures with scarred. Lone bark. No sleep. Death's dark. Tocas fondo. Dig deep through rock and keep Hondo mar.

Blondo in stock for me the shock. Lar of sea and wind set free. Ojo tuerto. Me pinned to you and skinned Rojo riel. Cojo, down through the bone.

Cruel hierro. Two guys the days despise. Miel rica. Sweet glaze of sweat. Dueles por Your waist. My spite erased. Van lejos. Dan Gay bars.

Cool stares. Old wars. Viejos Who cares? Not us. Affairs pargos. Duros cargos. Kiss on the bus. Muros eres. Duros Rhymes drawn.

Lives put upon. The foot of hell has soot. Haces rolo. Yaces Do tell but please don't yell. Polo Night's breeze.

Your ear. Weak knees. Stay near. I need you here. Porte We'll bleed. We'll grow like seed. Me alzo.

Although we look like snow Te trepo. We shook. Bien quepo. Our lungs expand. Ven, prueba. Moist tongues on Earth's last rungs.

Soy jeva Still births. Beba hoy. Legs linked now not distinct. Llueva pus. Light beer. Chipped plates. Duermen yertos.

My gear is yours to steer Yermen tierras. Our hope endures. Cierras puertas. We cope. With apps? Cuitas muertas. Perhaps climate collapse.

Quitas bases. Gritas Rhyme it away. Time it. I'll stay with you all day. Cercas alas tercas. Your glue in me. I'm too Jalas pajas ralas.

Muestras rajas. About right now no doubt Nuestras horas diestras. Moras lejos. Lloras out. We'll kill the skies at will.

Cantos tiesos. Setos suaves, quietos. Despair is crude. Re to dream a hot white stream. World of objects Guayo. Leo fallas. Feo the stain of ours.

The slain cielo del duelo powers' shoddy towers, cruel. Roble, grows old, will rot, turns cold,. We're not Velas.

Patrolled, Gozo. Soy oso. Held hands won't fold. Salto though lands will burn. Commands con faldas. Tientas Desire's beauty. We're dire.

Goces ciegos. Ruin me please. Screw in Roces lentos. Become the sleaze. Bares cruentos. I hum all night. Beban semen.

Eche caldo, cheche. The sack? Rol Come on before we're gone. Hundo barco. Fundo niebla. Whose spawn are we?

Come on! Take me to isles and sea. Te chupo. Past miles of drowned turnstiles. Me chupas. Tus lupas.

Curie knows no jury. I go at you all slow. Hallas tus playas, with blue balls of taboo sus aves. Sabes rico. Cabes, Dead birds will sing last herds.

Dueles, chico. I'll bring you home: wellspring,. Hueles bueno. The beach we'll comb heno. And thus triste. Digo, viste, our breath won't wane.

Like meth. Soy una afroninfa que cosecha triunfos de amor entre los suyos. Soy el Equinoccio de la Zeta, de la Jota y de la Erre.

LAWI also supports local communities of emerging and established writers and works to build bridges between US-based writers and their counterparts in Latin America, Spain, and other parts of the world by sponsoring and co-sponsoring creative writing workshops, literary readings, and conferences.

In keeping with its goal of increasing intercultural understanding, LAWI's activities are designed for a multiethnic audience and seek to recognize and encourage cultural diversity in its membership and in all of its programs.

Email: LAWI hostos. See More. In other words, to 6 the interconnectedness of the private and public dimensions of our physical existence.

A las desigualdades y exclusiones sufridas 8 por ciertos cuerpos. La perspec- 19 tiva queer de este relato atraviesa el espacio urbano de Santiago de Chile mediante el encuentro de una trabajadora sexual y un cliente de clase alta.

There are multiple and unexpected answers to these questions and they intersect with diverse coordinates such as race, ethnicity, migration, language, sex, affect, misunderstandings, suffering, passion, bodily secretions, relatives, families, lovers, secrets, and proclamations of that which is said loudly, be it by the authors and readers or by narrators, 24 characters, and poetic speakers.

He steadied his breath 36 and wiped sweat from his eyebrows. He popped open a malta, put the bottle cap back 37 into his bag and drank it without stopping.

While underwater he looked up and saw the sun lighting up its sur- 40 face. In my Mexican household, homosexuality was an ingredient in vulgar jokes 98 and insults.

Prendamos las luces y montemos toda esta opereta, antes que dejar salir toda la oscuridad que tenemos y tememos. Tramas We're shard creatures with scarred tus gradas.

Blondo in stock for me the shock zar muerto. My spite erased pieles tan crueles. We shook cepo! Re to dream a hot white stream sueno.

Reveal Veo. Roble, grows old, will rot, turns cold, dilo. Held hands won't fold Falto. We're dire rotas pieles.

Become the sleaze Cuentos. I go at you all slow Hallas tus playas, with blue balls of taboo sus aves. I'll bring you home: wellspring, Hueles bueno. My boy.

Hostos Community College. See also rata. Sometimes this bounty is loaded on precarious two-wheeled horse-powered carriages.

These can be seen going down the largest and most luxurious avenues in all big cities in Argentina. The activity is called cirujeo; the verb is cirujear.

Especially applied to people, places and occasions like parties. These measures were intended to keep the bank system from collapsing and avoid foreign currency dollars to leave the country, but were soon breached, and they deepened an already monstrous recession.

The government fell a month later. The corresponding verb is currar [vt]. Journalists popularized the cult alternative digitar, lit. The ending -e is curiously found often in words of occasion with a negative connotation see embole and despiole.

The corresponding noun is engrane. This word has been lately applied to demonstrations escraches of some human rights groups in front of the houses of officials of the last military government.

These demonstrations are intended to increase the public awareness towards the impunity of the crimes of these officials and denounce their places of residence.

Distantly related, semantically, with escrachar and escrache. This word is found in European Spanish but mostly in the plural, and it has a negative connotation; in Argentina it can be either positive or negative, with a tendency towards the former but it all depends on the tone of the speaker.

See posta. Used a lot in horse races. Figurative extensions: [t] to kill, to take care of someone , to put an end to something ; [i] to die, to end, to be through.

Used with estar, not ser. Not especially appreciated by non-Galician Spaniards. Same meaning as gilipollas in Spain. See sanata. Derivatives: guitarreada [f] an instance of such behaviour.

This phrase is quite uneducated. Often used of people trying to look younger by their manner of dressing or speaking.

Te paso a buscar a las Serves adjectively too. See also gamba, palo. Etymology uncertain, probably related to the fruit of the same name though not widely known in Argentina at present.

Note: if you can explain this better, tell me! This phrase is plain Italian, though its usage is somewhat different. Mainstream, standard colloquial way of referring to a female from her teens on.

Not rude, but not accepted in formal speech either. Argentine ex-president Carlos Menem was said to be mufa; whenever he shook hands with an Argentine tennis player or went to see a football match of a favourite team, they lost.

Same as culo in both senses, though this is more of a taboo word. Often sold in street stands carritos , with varying degrees of hygiene. Young people flock to these stands to buy panchos or superpanchos after dancing at discos.

Not to be confused with meter la pata see meter. In general, a derogatory expression for any group of people that tries to achieve things by violent methods and using the force of number, but without any visible structure.

Note well, the first meaning is not an insulting term of address as in Mexican Spanish. Used also as a noun and an addressing term.

In general, a failure or mistake of any kind.

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Dorita Orbegoso Video Intimo Video

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But it was too late for me. Here I was a stranger who had glimpsed her private troubles and had not a word of advice to offer.

I would be eating alone tonight. When she spoke again, she relapsed into italics, which I had hoped would happen.

As a tourist you should not miss it. Tickets can be purchased at the door. Well, I sighed of course, but what could I do? I wanted to know more than the mere fact of her suffering, I wanted to know her everyday experience, I wanted to know whether she had a sympathetic family or a support group.

But all this was mere curiosity and frustration, too, not being able to find the right kindly words to ease her day or show her I cared.

I was an interloper and it was time for a strategic retreat from her private space to the larger campus of the university. Thank you for the recommendation.

There was nothing personal about it, just the facts, and they were offered spontaneously. As I walked over to the building, I started thinking about all our deviations and all our idiosyncrasies.

How typically human! No two people speak exactly alike, and as proof of that forensics people talk about voice prints and distinctive mannerisms, according to television.

We make all sorts of. Still, none of these is anything like the sound of the girl who spoke italics. I asked an elderly guard at the door for directions to the multimedia show, and he looked at me blankly.

I repeated the question. Then a gleam rose in his eye. Just go down this corridor and turn right at the sign.

Through the windows onto the quadrangle where I had sat with the italics girl, I noted that she too was gone. And I was gone or going, and floating on the small silent breeze was nothing, so to speak.

He also published three books on film with Harcourt Brace. Perseguido por los nazis, empobrecido, drogado y vejado el buenazo de Walter fue encontrado muerto en Portbou mientras Adorno lo esperaba ansiosamente en Nueva York.

Presiento que los fascistas lo mataron alegremente. Dicen los honorables corporativos de la rae: Kitsch.

Voz al. El camp, por supuesto, no aparece. Es decir, tuvieron que producir propuestas que tuvieran resonancias en el colectivo.

Cosa que casi hace desmayar de la furia a Clement. El kitsch es experiencia vicaria y sensaciones falseadas. El kitsch cambia con los estilos pero permanece siempre igual.

Va siendo hora de que alguien ponga orden en esto. Como toda perspectiva posmoderna resulta casi imposible definir lo. Hacerlo pareciera ser un enigma como el Tao para los orientales.

Ni es kitsch, ni es cursi. No es definitivamente pop, pero se alimenta de ello. Saquea la alta cultura, la dinamita, pero esa savia vital le es imprescindible.

Es una mentira que se atreve a decir la verdad. Mejor citar ejemplos. John Waters y Jeff Koons son camp. Y algunos dicen que en la lista falta Ultraman.

No hace falta hablar del venezolano Gustavo Dudamel quien, cuando aparece con su afro indomable dirigiendo Mahler y enfundado en una horrorosa chaqueta tricolor es, totalmente, camp.

Que la cultura de masas ha perneado, nutrido y cambiado a la literatura no es algo digno ni siquiera de discutir. Espero que la propuesta de la rgr, despierte parte de esas sensaciones.

Define Divine, devein Divine, defend Divine; divinity must be declined if you defer or make of her the butt end of a rhyme.

Her eyebrows shaved and lined into Arches de Triumph, turquoise lids like copper oxidized to green, roiling flesh and fright wig. Hey, boys of Lutherville who mocked the lisp, Queen Divine will now devour your mousey wives.

Her ponderous form survives to sing Arrivederci Roma, her breath its own aesthetic, her voice a babbling tower: Fuck charity, she croons, bring on the flowers.

This morning, at 6, My wife, at 50, takes a test we were expecting the least: her period 2 weeks overdue a possible bump below the C-section line, and feeling the nausea and draggy limbs like when she contained our 9-year-old.

She holds the strip underneath on the john— hard to tell how well the stream hits. Too much or too little means urine trouble—no valid reading.

Will I finally feel enough security to embrace a new life without fear of losing our home to bankruptcy or another round of sibling rivalry?

It was published by the University of Massachusetts Press in April She is Writer in Residence at Kalamazoo College. Actualmente mantiene el blog Hombresdeagua.

He is also nationally published as a songwriter, journalist, humorist, textbook author, and education researcher.

En la pista de baile, los brazos se retuercen en el aire mientras que las caderas y cinturas giran desorbitadas. Se levanta del piso una nube olorosa a perfumes baratos, polvo, humedad de la tierra y grajo que destilan las peludas axilas descubiertas.

Las escasas trifulcas se disuelven en palabrotas, sin llegar a los pescozones. Y gracias que el pan con croquetas es gratis y que la botella de ron, aunque bautizada por los mafiosos del barcito, les cuesta diez pesos en lugar de los veinticinco reglamentarios.

Una mierda le dieron. Pero algo bueno tiene que pasarme esta noche cuando conozca a Dora, algo que me cambie la vida, que me enderece el ritmo.

Un viaje, ah. Que lo inviten a uno al extranjero, a donde sea —a Alemania, a Tierra del Fuego, a Islandia o.

Dora de Munich. Gracias a una colega que los puso en contacto hace seis meses, empezaron ustedes a escribirse. No quieres que la concertista sepa que tocas salsa en una orquesta de mala muerte y poca vida vaya, que jineteas musicalmente para sobrevivir.

Suerte que hay otra banda programada para las diez y cuarto de la noche. Pero no, no hay que desbocarse ni empezar a pensar con la punta del rabo.

Baby Casablanca se tira al piso, da un par de vueltas y hace ondear su gorra de los Orioles. Un intermedio. Mientras te tomas un vaso de agua a la temperatura de la noche, vuelves a mirar a la blanquita y bueno, no se le pueden tirar piedras a nadie.

O dentista. La indumentaria son unos vaqueros ajustados y una camisa de listas blancas y rojas, como rayada de sangre.

Todos los miembros de la banda Mal de Ojo visten igual. Aunque el director de Mal de Ojo tiene un ritmo natural que le roncan los timbales de Beethoven, eh.

Rex tremendae majestatis y todos vuelven a la carga. El trompetista deja escapar un bocinazo que te estremece las trompas de Eustaquio.

El muchacho se pone de pie, balanceando las caderas. Veinte entre cuatro toca a cinco, calculas. Baby vuelve a quitarse su gorra y le hace una venia.

Ella lo ignora. Va como una flecha hacia ti, que ocupado en guardar el instrumento no reparas en su presencia. Es decir, no reparas hasta que la mujer te planta una zarpa en la espalda.

Te apartas con delicadeza. Hola, guapo. Soy Dora von Braun. Das dos. No puede ser. Pero lo es. Tiene aspecto de chulito habanaviejero. Entretanto, Dora te cuenta que ha pasado por tu casa una hora antes.

Quantus tremor. Mira, con Vivo, sangrante y vale oro. Oro vale. Vladimir termina su Hatuey y se antoja de ron Bucanero.

Es lo mejor que he hecho en toda mi vida. Y usted me dijo que… —Bueno, pero tiene que ser esta misma noche. Vamos juntos a Varadero.

Dies Irae. Toman un Panataxi. Lo que me faltaba, de aguantavelas de estos dos. Un olor a animal en celo llena el coche.

Resuelta la dificultad. Ya arriba, mientras paseas tu asombro de nativo por una alfombra roja que apaga las pisadas, Dora y su cortejo criollo se besan otra vez.

Vladimir desliza la mano derecha entre los muslos sudados de Dora. Ella se abre de piernas. La alemana se remenea y busca con ansia la lengua de Vladimir.

El cuadrito no tiene firma. Se nota que hace una semana que no come caliente. Sale envuelta en un vestido rosado, vaporoso y fresco, pero no se ha puesto sujetadores.

Y a ti te entran ganas de vomitar. Bajan y entran al Siboney. Salvo el cantinero y dos hombres en bermudas, escaldados de sol y que comparten una botella de Havana Club, no hay ni un alma por los contornos.

Te sientas ante el piano. Pero el barman te interrumpe antes de que acabes con el Introito. Cambia la onda, mi hermano, que esto no es una funeraria.

Si a los clientes les da por protestar, el que pierde propinas soy yo. Pero de todas formas vuelves a la carga sin darte cuenta.

Vladimir se acerca al piano sorbiendo un daiquiri. El tipo le echa mano al billete y pregunta muy fino si trae vuelto.

Hacen su entrada al Siboney tres putas deslumbrantes. A Vladimir se le van los ojos tras ellas. Dile a Vla que te ayude.

Dora no te ha escuchado. El barman deja el vuelto en una esquina del mostrador. Le extiendes una mano a Dora. Lacrimosa dies illa. La pareja se vuelve a mirarte.

War is inevitable and never-ending. Sacrificial bloodshed sustains nationhood—the Iphigenia Principal—she was sacrificed so the troops could sail for a ten-year war.

Ishtar, the Sex Goddess of ancient Mesopotamia now Iraq , presided over love, fertility, and war. Mistress of death and the underworld, she may have started it all.

America will always be at war. Wars perpetrate sensational bloodlust. Iraq is besieged by an incessant parade of crippling injustices: suicide car bombings, Abu Ghraib prison torture scandals, military crimes, contractor equipment rip-off schemes, and mercenary guard atrocities, etc.

Four years into the unnecessary, ineptly managed, grossly misappropriated, and unstoppable Iraq War, untold lives and billions upon billions of dollars have been squandered, and worse, continue being frittered away.

The paper claimed that her demise was arranged to look like a drug overdose. Leave it to mainstream news and tabloid mania to degrade events into instantly addictive byte-infected infotainment.

The Pop Goddess had fourteen drugs in her system at the time of her death: Cipro, methadone, Valium, sedatives, muscle relaxants, anti-seizure drugs, flu medicine, and hu-.

More than six hundred pills were missing from prescriptions that had only been filled five weeks prior. Largess knows no limits.

Bizarre analogies traced out between the unlikeliest events proffer semiotic parallels about our imploding national folly.

Taking on an intertextual joust of blowout proportions is like target practice in a shooting gallery where icons and clay ducks are indistinguishable.

Double analogy: neuroscientists have discovered mirror neurons in the human brain that constantly search and compare phenomena to test resemblances and correspondences.

The ink spilled over the incredulous circumstances might as well have been blood. Andy Warhol would have loved her.

He was doing Reality TV decades before anyone knew what it was, and her show was unquenchable for its trite and tawdry fascination, its over-the-edge surreal gluttony of outof-control binges and nutty gross-outs.

Like America, her glamour and addictions fueled a Thana-erotic frisson, a rollercoaster public relations fandango, a national death trip.

Glamour on the outside, hell inside—the war syndrome— not only invades cells, but psyches. Sex solicits dark obsessions when compounded by drugs, wealth, and power.

Like her country, she was doomed by greed and was at war with herself. Perhaps she internalized her guilt about scamming Daddy Warbucks—her wheelchair-bound eightyeight year old multimillionaire husband, oil mogul J.

Their marriage branded her a gold-digger and ended in protracted litigation. Like the national malaise, law and order contradictions riddled her dysfunctional family.

She began in topless where her mother walked into the strip joint and caught her wearing a thong gyrating around a pole.

Because she was undersized, she could only score afternoon shifts. Sex provided the ticket. She moved on to Playboy and became Playmate of the Year, then landed a lucrative modeling bonanza with Guess!

Her artillery of strikingly provocative poses exploited maxed out top-heavy fantasies of ultimate hooter booty. A striptease of tropes, on the ropes, stokes aggressivity and sexual provocation.

Iraq is about the size of California, population twenty-seven million. One hundred-andsixty rebel or terrorist cells reportedly operate within its borders.

Roadside bombs or I. Six months after her death the autopsy report determined that the final battle that claimed her body was a biological cocktail that induced a raging blood infection caused by a contaminated needle injected into her buttocks.

Death is always hiding in plain sight. Drugs, deviant sex, outrageous antics, and exhibitionistic behavior played themselves out on her imposing sybaritic body.

Hunky African-American bodyguards, lesbian encounters, forbidden antics, and lawsuits enhanced her irresistibility and star power.

Like munitions, her voluptuousness was manufactured with silicone, liposuction, and cosmetic surgery to ignite explosive fantasy on a grand scale and juice the most questionable public relations.

Public relations, get id? War is an eruption of the Id on the macro scale. Desire and war have always been inextricable—the battle cry always devolves around the weakness of the flesh.

A Sex Goddess consecrates a collective circuit of cunning concupiscence if not outright lust. Eros originated with fertility—until the virtual incendiary.

The heady allure, nonstop show, and magic camouflage tragic preoccupations, not to mention the off-camera compromises. Like Threecard Monte, the woman and the goddess suffered a lurid discombobulation in the prestidigitated scramble of identity and its fractured media projection.

In February, , the Iraq War and Anna Nicole Smith collided in high-profile media dissonance while nonstop coverage of her death preempted an angry congressional showdown.

Even though the Democrats had regained congressional control, they proved themselves powerless to make a dent or pass legislation to bring the troops home or defund the war.

The nation, the war, and Anna Nicole became flagrant conflated casualties of overexposed runaway excesses—a blowback of corporate greed and unchecked special interests.

Sex Goddesses are highly expendable because they play with combustible forces—the national Id unleashed revs up the killing libido.

Anna Nicole, in turn, upped the hypertrophic registers of the double idol. As a copy, she trumped the original by being larger, more outrageous, unhinged, and out-of-control.

Her astonishing ersatz legacy is a drop-dead portfolio of knockout tinseltown erotomania you can find it all on the Internet.

Each photo shoot ignited a heady sexual conflagration that kept upping the ante of allure and incredulity, inviting the unrestrained collective projections of fantasy and lust questing for the ultimate thrill.

She changed appearance on a dime as if experiencing several incarnations within one lifetime, or a single cameraready session.

Misbehavior and tactlessness assured her instant status in the high-octane media firmament. Mammaries provoke the ultimate male obsession— blood lust.

Milk is to oil as oil is to blood, and Mideast oil flows like milk. Implants create a sovereignty of the flesh.

Breasts enchant and technology enhancements, pioneered between the s and s, pushed the limits. Fatty tissue was surgically moved from abdominal and buttocks areas, but because fat is reabsorbed, the initial results made breasts lumpy and asymmetrical, marred by scarring.

But by the s, infections and chronic inflammation were endemic. During the s, polyvinyl sponges were used until the first silicone implants were developed in By , they were embedded in polyurethane foam.

Hundreds of thousands of women have and continue to receive prosthetic mammaries. Anna maxed out big time—two implants on each side.

They caused her back pain, necessitating narcotics. Sic transit gloria mundi. Anna Nicole was held hostage by her famous endowment, by the media a lascivious fantasy machine , and, above all, by her Svengali lawyer, Howard K.

Stern, who, author and msnbc commentator Rita Colby alleges, plied her with drugs, pimped her to high-rollers, and siphoned her money into his secret offshore Cayman account.

In this story, truth is as heady as fiction. Anna Nicole and the war mongers—Haliburton, The Carlyle Group, and their nasty network of invisible subsidiaries were all similarly surrounded by vicious enablers and ruthless handlers.

Her sycophantic coterie included a loony neighbor psychiatrist who illegally prescribed seven different lethal narcotics.

Drugs are endemic for fueling sex and war. We consume more drugs than any other nation. Mexico and Afghanistan are our main suppliers.

Methadone is a synthetic substitute for opiates and heroin. Afghanistan is the biggest producer of poppies, bankrolled by the CIA and Taliban.

Morgues in Baghdad, on the other hand, are continually overrun with bodies piled on top of one another, as numerous reports in The New York Times confirm.

To identify the missing, Iraqi relatives view pictures of the deceased on video screens to try to ascertain their identities. The U. Everyone wanted a piece of the pie.

Even in death she was ambushed by a dizzy Reality TV syndrome. Anna Nicole was completely co-opted, and redeemed, by photography.

Media diversions, like military might, prostitute truth and blow veracity out of the bay. The sensational patter of salacious celebrity scandals ratchets up the temperature of tabloid bonanzas and provides convenient escapism from embarrassing and inexorably mired national fiascos.

When day-in, day-out, the news is an unrelenting barrage of suicide bombers horrifically blowing up streets, markets, homes, and barracks shattered by human carnage—anywhere from three to threehundred victims a day—the public quickly becomes inured.

Baghdad was rocked daily by one suicide bomb disaster after another perpetrated by inflamed fundamentalist zealots with an endless supply of weapons provided by the U.

Whatever our supposed foreign policy rationale was or is, it quickly boomeranged into cabbage patch terrorism. Anna Nicole became a blazing media decoy.

Death is the final show. War is global prostitution, corporate carnality inflamed by blood lust. Stern, even though a hospital witness claimed he gave her son, Daniel, the fatal overdose.

Daniel had had a nightmare premonition of his mother in a coffin and sought to engage a detective knowing she was being held hostage by her lawyer because he witnessed her being repeatedly drugged and pimped.

Thus began the final sordid showdown, a kaleidoscopic rollercoaster of notoriously debilitating antics telegraphed by hubris and desperation.

Rumors about why her life unraveled continue to proliferate. Death markets itself as instant gratification, but war and Thanatos grant no closure.

When a war is over, the spillage continues, without remiss. When the Iraq War is finally over if it ever is , there will be a tremendous legacy of damages: the maimed, dead, displaced, depleted; toxic shock syndrome, post-traumatic stress disorder, homeless veterans, ruination, bankruptcies, the blame game, etc.

Death promotes the idea of finality while precluding it. Like a national mascot reduced to brute forensic proportions, Anna Nicole lying on a morgue slab for weeks magnified the national metaphor of mired gothic intractability while reflecting the dire conflict of our foreign policy.

Death is very foreign, even as it rebukes the living. Queridos amigos: Hace poco menos de tres meses estuve en Las Vegas.

Me provocaba ir tras sus pasos y darme una ahorcadita, de hotel, en este caso, tipo Michael Hutchence. Muy Hunter Thompson yo, todo gonzo y tal.

De nuevo entra un mesonero empujando otro carrito atestado de frascos de leche. No tengo la menor idea. La coincidencia obliga a recordar a Stephen King y a Kubrick.

Sandor viste un traje de esmoquin, el mismo que usara para sus actos de magia. Es la viva imagen del Mandrake de Lee Falk.

Fue mesonero, parquero, bell-boy, ayudante de tramoya, aprendiz de mago, y finalmente mago. En Las Vegas se le recuerda por su acto con los conejos blancos.

Incluso he sufrido varios atentados. La respuesta es sencilla y hasta. Pues bien, en primer lugar, Sandor no quiso herir susceptibilidades.

Algo que realmente me inspirara. Pero ellos insistieron. Escucho la respuesta y me quedo en al aire. Los universitarios siguen bailando, brincando, bebiendo, mientras aquellas piernas felpudas avanzan hacia el fondo, es decir hacia donde estamos Sandor y yo.

Y ahora ya no son dos piernas felpudas, son cuatro, y ya no cuatro, sino seis, seis piernas felpudas. Alzo la mirada, y veo las elongaciones de aquellas piernas.

Lo descubro con la mirada fija hacia al frente. Ahora veo a los conejos y me percato de que llevan unas varas en las manos.

Varas o cabillas, armas de acero, contundentes. Los conejos gigantes se me vienen encima, pero el asunto no es conmigo.

Los universitarios se lanzan sobre los conejos y los conejos responden con sus varas de acero. Vuela la leche por todas partes. Yo esquivo la violencia como puedo, y salgo.

Una vez afuera, pego una carrera. Pienso que seguridad debe estar por llegar. Lo noto preocupado. El ascensor llega a planta baja, y yo salgo.

Sandor, en cambio, queda adentro y me mira. Fedosy Santaella es licenciado en letras por la Universidad Central de Venezuela.

Nuevo Laredo. Juventino Puentes tiene quien le recoja las hierbas prodigiosas tanto para males de espirituales como corporales. Las joye-. En La Santa Muerte.

Tras mezclar los ingredientes, mejor en domingo, para serenar el agua se recomienda lavar billetes y monedas el lunes.

Es licenciado en periodismo y teatro. Ahora, en su bar, la franqueza sube a otro nivel. Yo lo tengo claro: me invitan porque escribo, pero, si sigo aceptando invitaciones, no voy a tener tiempo para escribir.

Le aburren los viajes. En mi caso, si no trabajo; me siento culpable. Es como si. Estoy fatal en los tres o cinco meses que paso inactivo.

Por suerte, puedo leer y eso es un gran placer. Al principio era fabuloso, porque una palabra va delante de otra y todo tiene sentido.

Cuando habla de la escritura, Lobo clava sus ojos azules con severidad. La cosa va en serio en su bar. No me interesa hacerlo. Cuando un texto es bueno, uno lo que debe hacer es seguirlo para donde quiere irse sin imponerle nada.

Siempre es una sorpresa. El problema es el trabajo con las palabras, porque intentan cambiarte el arte de escribir.

Yo apenas estoy aprendiendo. Y puede ser, porque probablemente sea mejorado con mucho trabajo. Hay que vivir con la humildad de no saber nada.

Ni como amante, ni como hermana. Amarraron la lancha a un arbusto y se introdujeron en el monte. Caminaron durante un rato.

La mutilada lloraba y lloraba, y llamaba a Samaritana. Le pusieron un vestido blanco con volados y la descalzaron.

La encerraron. Se hicieron ricos. Iban metiendo las joyas en toneles que luego acomodaban en amplios estantes. Con todo este barullo, se hablaba de trata de personas en las redes sociales.

Algunos sirvientes vigilaban las inmediaciones. Estaba a punto de desatarse la tormenta; las aguas marrones estaban revueltas cerca de la orilla.

Clamaba por Biancabella. Les prendieron fuego a vistas de todos. Mariana Docampo es escritora y licenciada en letras por la Universidad de Buenos Aires.

Coautora del libro de entrevistas Sara Facio. A medias la risa se transforma en una mueca pero apretar tu mano aleja el miedo.

Hueles a mieles a polvos de la buena novedad. Es un reto la tibieza de tu cuerpo. Todos los ojos posados en la danza desaparecen cuando rozo tus labios.

El tiempo pasa sobre las dos inalterable. Odette Alonso. Es poeta y narradora. Autora de quince poemarios, una novela y tres libros de relatos.

Pero hay los que luchan toda la vida: esos son los imprescindibles. What is it about the movement that helps dispel the loneliness of the closet?

How did he do it as a school teacher in an ever-embattled school district as is the one in Los Angeles? Who was he who brought his love, his hope, and his dreams for liberated world into the classroom into the meeting space into the streets, into the protests into the strategy sessions.

Was he involved in more the dangerous activities, the adrenaline spiking in the early hours of dawn, behind the scenes, did he know the arms runners?

Did he know who killed Roque? The more intensely proximate to violence type of company arrows. Was he out cruising the boulevards looking for comfort in the arms of brown men?

Did the people he loved so much know about his proclivities? Is it fair to speculate? He struggled for our people every day and he was good.

Is it wrong to assign him a site of desire, even when desire is what fueled his desire, where politics fueled a desire for a just world, a world he could belong to sitting behind us, where we could enjoy the view of the world at the expense of his sightline.

Is there a way he put his desire into the movement? He had the most terrible toupee, a vanity in need of a lift. He had no vanity. That is how good he was.

Or did he dye his hair? Who were his friends? He raised so much money for young people to go to the international youth conference on globalization and liberalism in Havana with the Los Angeles Coalition in solidarity with the people of Cuba.

That was in The following year he yelled down the Figueroa corridor when the DNC decided to rear its head in the city of Angels.

Was he sick? Was he in the hospital? Did he die alone? Don't we all die alone? Do the good ones die alone? Does this happen to the indispensable ones?

He was at the organizing convening in that founded the coalition in solidarity with the people of El Salvador. He had to have been a communist.

He was a school teacher. All school teachers are communists and that is still the coolest thing you could be. How do I take my loneliness and put it into the movement?

How do I use my loneliness for good? How do I become remembered with that Bertolt Brecht adage of the good ones who struggled every day, how do I become indispensable?

In every movement people fuck, a love hangover never slowed down anybody and besides, every revolution is fueled by a desire to live and to risk it all means no day is taken as given.

Every movement has its romantic dramas and entanglements until a revolutionary, a critical witness is spirited away in a van riding along on a street in Pico-Union picking people off, como zancudos en la luz like a mistake on a test.

Be indispensable. Take your loneliness and put it into a movement, never feel alone forever. Where do you go when you don't want to let your actions be harnessed into the machines of productivity?

He was good because he fought. He fought every day and every day he fought. The stillness in being Salvadoran is an exercise in aguanto what might I be able to endure that might bring me closer to my ancestral matrilineal line?

Will my suffering earn me a place in the pantheon of my family's unresolved grief? How might I be strong to endure another's apocalypse? Cycling in and out of Fox News informed care.

I want to be Stone. Ser capaz. Find me laughing in the face of drought and other disasters. I want to be the stone, not the corn upon which to grind for others subsistence.

I want to not need when all I hunger for is touch. Like a hurricane of desire seen from the watchtower, a duende set loose in a museum of loss, a storm at the gates of the parts of me I rarely see let alone demonstrate and share with others.

In , they were named the Poet Laureate of Philadelphia for a twoyear term. The following year they became the inaugural recipient of the Laureate Fellowship from the Academy of American Poets.

I reappeared periodically during the next two decades, over Thanksgiving or during the summers, just after the grape harvest was over in the Coachella Valley.

Each time Abuela would comment on how much thinner I was getting. My cousins remarked on how much fatter I looked.

And older. That my hairline was running away from my forehead. Everyone stopped asking about girlfriends or marriage by the time I turned They inquired about my teaching job and had nothing to say about my writing except that they thought it was a pity that I was like a traveling salesman with a suitcase full of books and a tired sales pitch.

Maybe we should pair up! After the initial greetings, everyone settled into their usual routines and I sat in the corner of the room, interesting only to the children who were curious about this stranger who walked into their houses as if he belonged there, who would disappear in a few days and not be seen again until many months later when they had to be reminded that they had met him before.

Abuelo offered to cut my hair like he used to when I was still living at home. They knew how to interact with that person who was certainly a virgin, most likely asexual, and dedicated fully to his education.

My only companions in bed had to be a laptop and books. Without a partner or a dating life I had no personal history.

And so, when I decided to stop visiting and avoid dropping by on my way to see my brother, the only person I had informed that I was gay, no one came searching or picked up the phone.

That young man from so long ago was inconsequential to their daily lives anyway and so he was relegated to memory and a few anecdotes from the past, when he was still a boy.

Those children who stared at me apprehensively became adolescents and then husbands and wives, and then parents. If they have inherited the stories from the generation before them, I might make a cameo or serve as a footnote, a minor player in the timeline of their family histories.

The people who knew me the longest are growing old and forgetful. They will eventually die. I made a deliberate choice to remove myself from the family pictures so that they never had to engage in the uncomfortable conversations about my private life.

In my Mexican household, homosexuality was an ingredient in vulgar jokes. In Mexico it was even worse. The times I stayed in town past sundown, I looked and looked and never found them.

The only homosexual about was me. I have lived a full life out of earshot of my family. Worse yet, that I may have learned this method of self-preservation from the other homosexuals in my family.

The family grew exponentially with each generation, but the storytelling always included the humorous anecdotes of years past, tales too entertaining to be forgotten.

I heard about him quite accidentally, while I was semilistening to the grown-ups having a conversation. The pregnant pause that followed was a gesture of resignation.

That moment stayed with me. I knew of no one else who had traveled that far away. Whenever I could I asked questions until I pieced together the narrative: he had been working for a Spanish family in Mexico, until the Mexican Revolution forced them back to their country.

And all those people who remembered him are gone. But after my own vanishing I began to reconsider that story, the way family members mentioned his pretty eyes, the way they added the detail of his bachelorhood.

It was a useless endeavor because he had likely passed away decades before. Still, I wanted to experience something, like the sensation that I was walking on the same paths that my Indigenous ancestor had, and that he was loving his life despite the homesickness.

I wanted to believe that he was happy and free to be himself. I wanted him not to have regretted his decision because at the time I was beginning to consider doing the same: disappearing.

As the awareness of my own difference became palpable, I latched on to the story of an uncle who had the unbecoming nickname Gallina.

His name was Ignacio but our elderly great-grandmother called him Igna, which eventually became Ina, which changed completely to Gallina.

I never met Gallina because he too had disappeared, though in. He slept on the beach. He had no home. He drew sketches of the beachgoers for coins.

Someone had bumped into him once, and they reported back that those sketches were inappropriate.

To my conservative family, this might have meant that he captured the sensuality of people in bathing suits. Drawing women was offensive enough, but men too?

Despite this self-imposed poverty, he had achieved autonomy. Oh, yes, and he had never married. There he was in the faraway land of Canada.

In another photograph, he was riding a horse. I stared at the photograph, unsettled by the warmth that suddenly coursed through my body. He was too busy, apparently, seeking adventure with his companion.

When she showed me a picture of the two men with their arms around each other, I sensed that their closeness was much more than affection.

These three men gave me some kind of orientation, even when I suspected that perhaps I was projecting. I was the one who strayed far away from home, who was the eccentric artist, who was deemed too distracted by my travels to have time to consider a marriage.

I also saw the alternative narrative in my family. There were three others who I recognized as gay, but all three were locked in the closet in order to remain at home.

Two of them did marry. Given a choice between disappearing at home or disappearing to claim my freedom, I chose the latter.

I realized then that I could not be part of the changed world because I was still living in the old one.

Maybe I too have frozen my family and homeland in that period that shaped my sense of invisibility and shame. Maybe my relatives have changed as well.

Maybe those children I met so many years ago see things differently than their parents. Maybe I should write or call or post a message on their.

I met you when you were 4. I imagine one of them overhearing the elders mention this writer in the family who set off to New York City, never to be heard from again.

He never married. No I never married, but I have lived. I want to tell them that. He currently lives in New Jersey. Hasta que no se te rompa el espejo y se te incrusten los vidrios en la cara, no pares.

Que el resto de tu propia historia. La tesis, la tesis, la tesis. Mi vieja fue una enferma terminal. Nos llenamos la boca hablando de cualquier cosa y a veces no podemos ni con nuestra propia existencia.

Ah, cuidado, pero de eso mejor no hablar. Mejor no hablar de los demonios, a ver si el resto se asusta o si nos asustamos nosotrxs de nosotrxs.

Prendamos las Yo no quiero que mi cuerpo sea un campo de batalla. Por eso, estamos hermandxs con los animales. Porque si de algo estamos llenxs, es de discursos.

Y la falla, en el capitalismo neoliberal, es causal de despido, de periferias, de exclusiones. Por eso, mejor no fallar y cumplir, cumplir, cumplir.

Me cago en el binarismo y no le creo. Yo no soy una mujer y tampoco soy un hombre. Yo no soy, estoy. Y con eso basta. Por eso es tan importante aggiornarse, de vez en cuando.

Bueno, al menos, no encuentro motivos o argumentos razonables para que lo sea. Y ni hablar de abortar, que eso es pecado nefando.

A lo mejor, entonces, no te da miedo o rechazo lx distintxs sino lx similares que podemos llegar a ser. La muerte tiene el peso de una urna.

Alguien a quien pedirle un abrazo y que no duela. Ni tiempo. Ni cabeza. Ni cuerpo. Nadie sabe lo que puede un cuerpo.

Era de noche. Los huesos que no lograron calcinarse del todo hicieron ruido. Ya no hace falta que tengas los ojos abiertos en el medio de la espesura.

Entregarse con todas las miserias. SaSa Testa Buenos Aires, Participa en congresos y jornadas varios, en calidad de organizadorx y disertante.

Es autorx de los libros Soy Sabrina, soy Santiago. Compiladorx de Cuerpxs en fuga. This felicitous jaja phrase came to me esta tarde, ni bien puse foot en el health trail.

Las palabras, as they almost always are en mi caso, inextricably linked to, loosed by walking. Acabo de checar Winkypedia, y bingo. I mean, desde siempre.

No recuerdo casi nada de mi childhood. Te lo juro, almost nothing antes de los…14, maomeno. Y de los lanky, pale limbs, slightly startled avian mirada tras translucent cat-eye gafas, adorables pecas y shiny, razor-straight toffee-colored cabellos de la Lorraine C.

Or…did I kiss her? Maybe it was 5th grade? La Cricket smoothing down her remera. Y luego la Mary, la Chabelita.

Pero who could blame me? Or reading me Nancy Drew mysteries toda la noche durante mi famous hemorragia bucal. Como le he dicho a Leslie, mi therapist, —See?

I mean: de otros. Or mushy-stone, como yo. Ground Zero, I reckon, de mi black hole, Tabula Raza modus vivendi.

Este next book was gonna be for you. Before Daddy. Before us. And for you, baby Jem. Y para tu daddy, mi adolorido, adorado seuntjie, Etienne.

Para mis primos, para mis hermanas. Que se chingue esta curse. Y escribo para cualquiera que tenga black holes.

Un secreto pozo de veneno, una family backstory cual campo minado. Shine a light. Live with the question. Y por ahora, tarry awhile conmigo, en el ecotone.

Latinx authors. Dices cosas grises. The gray, wet things you say. Cavas fosas. Corpse horde whose wings Grabas voces. Dry fjord. Verdes goces.

Drowned beach. Green sites we reach. Pierdes fe. Last rites. Faith's end. Love bites. Te You mend me hard, my friend. Tramas We're shard creatures with scarred.

Lone bark. No sleep. Falcatruada Ref. Ouvirmos Ref. PAI Ref. Short-link Link Embed. Share from cover.

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